Music News

Whenever Dan Bejar’s band Destroyer releases a new album I feel like a giddy little kid at Christmas. Sadly, their new record, “Ken” won’t be out until October 20th, but they have put out a couple of singles that I’ll be playing non-stop until then. The beginning of the single “Tinseltown Swimming in Blood” could easily be the opening riff of a new New Order song which isn’t too surprising given Bejar’s published penchant for the post-punk pop group. Even the cascading drum fills that close the song remind me of the tribal drumming of New Order drummer, Stephen Morris. Check out the video and let me know what you think. On a more somber note, Sky’s Grey catches Bejar in a mellower downbeat mood. Looking forward to this release!

There’s a lot of new music preview streaming out there on the interwebs right now, and many of them are sounding quite nice. There’s going to be some great releases this month! But, before we get into the list o’ links, here’s a cool new video from Portland’s Nurses, filmed and edited by the band:

I’ve said this before, but the NPR Music site (National Public Radio–the one the Republican’s want to destroy) is awesome. There’s so much great new music streaming that it could easily be your primary source for music news. And new stuff is constantly being added. What’s there right now?

The new Wilco album, The Whole Love. I’ve only listened once, but the Wilco gang are getting experimental again and it sounded great.

Next up? Clap Your Hands Say Yeah is finally back with fourth album, Hysterical and it’s a nice return to form capturing the energy and spirit of their acclaimed first album with a more nuanced sense of control and song craft. Check it out!

There’s so much more to listen to at the NPR site (like Harold Budd, Neon Indian, the Tiny Desk Concert Series, and the streaming radio show from Bob Boilen and Robin Hilton) but let’s finish here with the new LP from St. Vincent – Strange Mercy. It’s everything you’d expect from Annie Clark – edgy and intense music, beautiful vocals, and haunting imagery all blended together to make great songs, and a great new album.

Want to stream entire new albums by Wild Flag, Eleanor Friedberger, The Music Tapes, or The Ladybug Transistor? Well, lucky for you they are all on super-cool label, Merge Records founded by members of super-cool band Superchunk.

Happy Streaming! – SLP

We live in a world where, thanks to ever-evolving technology, things we need and want come to us faster and easier all the time. News, information, and (yes) digital music all come at us through the internet with no waiting. Twitter is spitting out information even faster than blogs and news sites. So, when the new Stephen Malkmus and the Jicks album was announced on the Matador Records’ Matablog with a release date in late August, someone posted this question:

If the album is in the can, why not just sell it now? I’d BUY it now. I suppose everyone would just steal it in the end either way. But why the wait? Just for the retro aspect of how things used to be?

Patrick from Matador was nice enough to explain…

A few reasons –

1. This is an incredibly competitive market. More releases come out now in a given week than used to come out in a month. It takes time to build up the word & anticipation for a record. A proper marketing campaign will get the maximum possible sales & chart position for a new album on release date, which in turn drives the media to pay attention and drives further sales.

2. Long-lead print press still exists, and their deadlines for features in August is NOW. They won’t run features about a new release 3 months after a record comes out – by then, there will be a whole new batch of records competing for their attention. And they need to spend time music to confirm features, and then spend time writing them.

3. Physical retail, including chains, still exists. Our distributor’s deadline for getting into their August 23 book, driven in turn by their big customers like Best Buy and Target, is NOW. And of course it takes time to manufacture records… you see a cover image above, but we don’t have the full packaging in for the CD and vinyl. The final EQ’d master is in today, and then it needs to get made into a glass master for CD and cut for lacquers for vinyl, which in turn will need test pressings, for approval. Once the records and the print are made, they need to be assembled, shipped to distributors, who in turn ship to stores – and for chains this means depots who ship out to branches, or drop-shipping to individual accounts – all to arrive on a certain date before release date.

Even for digital stores, there’s a time-consuming process which includes metadata for royalty tracking, audio polishing and checking, lots of uploads and downloads and tests.

Then there’s booking advertising, planning the marketing campaign, designing banners, and all the rest.

It’s a delicate balancing act setting up a record properly for release. 3 months is about the minimum lead time possible from delivery to street date.

Lots of people fortunately do still spend money on music!

Fuse, Fuse Music TV, or Fusic TV as I like to call it, has a quick 4+ minute overview of the Portland music scene. Yes, they only talk to some of the bigger names in town like The Thermals, Menomena, and Colin Meloy of the Decemberists, but it’s not as cringe-worthy as the first episode of Portlandia. Are you an indie band in need of a town? C’mon down (or up) … I guess we can make room for one or two more.

As the host says, “Welcome to Portland Oregon, where people come to enjoy the great outdoors and the sound of nature. SCREW THAT, LET’S ROCK!” Thanks to Portland Mercury’s Blogtown for the heads-up.